视频简介
陆芭是一个聪明的女孩。为了拯救即将倒闭的度假村生意，她编造了一个关于青蛙幽灵的传说，而这个传说成了她家乡Chuen Chiva人们的主要收入来源。然而，陆芭和其他人都不知道，这块土地已经被抵押给了一家房地产公司。该公司由冷酷、冷静且严格的商人金通管理。金通制定了一个秘密计划，打算揭露青蛙幽灵的传说，并在Chuen Chiva建立一个高端豪华度假胜地。然而，一次意外让金通失去了记忆，他变得非常友善和热情。为了拯救度假村，陆芭的妈妈和村长对金通撒谎，说他是陆芭的恋人。陆芭开始照顾他，两人很快就爱上了对方。然而，他们的幸福并没有持续太久，因为金通很快恢复了记忆。愤怒的金通离开了村庄，并威胁要立即夺走这片土地。那么，陆芭能让金通原谅自己的谎言吗？。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。那年盛夏，14岁的Margaux在父亲新居和儿童之家中奔波，她与丧母的7岁女孩Juliette尤其亲密，二人在一次散步时偶然遇见当地年轻渔民Joël。同是天涯沦落人，三个失落灵魂相逢恨晚，一同在日内瓦湖泊中度过如梦似诗的日子。本片虽为导演Jenna Hasse首部执导长片，然而Margaux这个角色作为导演内心的化身，早已贯穿导演两部短篇前作。电影散发着宁静的氛围，海天一色的日内瓦湖泊，让大家跟着角色一起短暂逃离现实。。