视频简介
随着一位有精神问题的“连环律师”的到来，化妆师“芬奇·达”平静的生活被打乱。在道德、法律与人性面前，他将面临艰难的抉择。 A passionate make-up artist has his life turned upside down when a psychopathic "serial lawyer" takes an interest in his work - and has his moral compass put to test.。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。法国南部的Chauvet岩洞里，有三万年前的原始壁画，还有冰河时期的哺乳动物化石，但洞口一直被落石封住，直到1994年被科学家偶然发现。这个宝贵的洞穴被严密保护着，赫尔佐格只获准进洞拍摄六天，每天四小时，他还采访了相关研究的科学家们，用他特有的方式，探索史前人类对事物的认知和表达方式、艺术和文明史的诞生、以及现今围绕在洞穴四周的好奇人群。他还注意到现代工业对史前遗迹的侵蚀——Chauvet岩洞附近恰有一个核电站，已经因为温水汇流形成生态圈，里面连鳄鱼都有了，Chauvet未来可能受到被淹没的威胁。 这是沃纳·赫尔佐格首次用3D形式拍摄他最热衷的纪录片。。